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Their exhibition Office of War Information (O.W.I.) is on the third floor at Pioneer Works through August 9.\u003c\/p\u003e","products":[{"product_id":"karachi-after-midnight-volume-1-part-1","title":"Karachi, After Midnight: Volume 1 Part 1","description":"","brand":"Pioneer Works","offers":[{"title":"Default Title","offer_id":41118833147962,"sku":null,"price":14.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0141\/3690\/1690\/files\/1_0bd98cb6-71a1-49ab-b59b-87f6ec7e5fef.png?v=1769706705"},{"product_id":"karachi-after-midnight-volume-1-part-2","title":"Karachi After Midnight: Volume 1 Part 2","description":"","brand":"Pioneer Works","offers":[{"title":"Default Title","offer_id":41118834032698,"sku":null,"price":14.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0141\/3690\/1690\/files\/1_bbb33e9a-2682-438e-a29b-dd31a9e16e87.png?v=1769706763"},{"product_id":"khajistan-x-press-play-bag","title":"Khajistan x Press Play bag","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eA chic, limited-edition bag made in collaboration with Khajistan Press, including images from their latest publication \"Smut of the Middle World Vol 1: Pakistan.” Created as the exclusive bag for Press Play, this is a celebration of the censored and smutty\u003c\/span\u003e\u003cspan\u003e. Carry your groceries in style. \u003c\/span\u003e\u003c\/p\u003e","brand":"Pioneer Works","offers":[{"title":"Default Title","offer_id":41127638073402,"sku":"khajistanbag","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0141\/3690\/1690\/files\/260310_PW_046.jpg?v=1779376370"},{"product_id":"karachi-after-midnight-volume-1-part-3","title":"Karachi, After Midnight: Volume 1 Part 3","description":"","brand":"Pioneer Works","offers":[{"title":"Default Title","offer_id":41255132495930,"sku":null,"price":14.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0141\/3690\/1690\/files\/Screenshot2026-05-13at4.28.11PM_744d7246-1b7d-49be-b883-22e0f2970989.png?v=1778704177"},{"product_id":"pioneer-works-x-khajistan-hat","title":"Pioneer Works x Khajistan Military hat","description":"\u003cp\u003eA limited-edition collaboration with Khajistan, made in celebration of their exhibition\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eOffice of War Information (O.W.I.)\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eIn Vietnam, a Vietnamese embroiderer mistranslated 'Photographer' as 'Pornographer' on patches for the 221st Signal Company, a detail their commanding officer discovered the hard way. 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Shams drives through Clifton and Defence, racing through the city with friends and lingering at traffic signals a little too long. He writes of testosterone and instinct. Desire feels everywhere, uncontained: in chatrooms, in passing glances, and in strangers on motorcycles.\u003c\/p\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"591\" data-start=\"417\"\u003eOne night, he attends a gay party. It is not grand or cinematic. It is awkward and observant. Yet for him, that night marks a crossing from imagining desire to inhabiting it. He notices the way Karachi becomes a stage after sunset and the pull of the city after midnight.\u003c\/p\u003e","brand":"Pioneer Works","offers":[{"title":"Default Title","offer_id":41391886762042,"sku":null,"price":14.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0141\/3690\/1690\/files\/Screenshot2026-05-04at4.02.01PM.png?v=1778704310"},{"product_id":"karachi-after-midnight-volume-2-part-2","title":"Karachi, After Midnight Volume 2 Part 2","description":"\u003cp\u003e\u003cstrong\u003eA gay man’s online diary from Pakistan’s dial-up era.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKarachi, After Midnight: VOLUME 2—PART II compiles Shams’s entries from May to August 2004.\u003c\/strong\u003e\u003c\/p\u003e\n\u003carticle data-turn=\"user\" data-scroll-anchor=\"false\" data-testid=\"conversation-turn-15\" data-turn-id=\"f9908968-b1a8-4712-b839-a5570ae3c605\" dir=\"auto\" class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-(--header-height)\" tabindex=\"-1\"\u003e\u003c\/article\u003e\n\u003carticle data-turn=\"assistant\" data-scroll-anchor=\"true\" data-testid=\"conversation-turn-16\" data-turn-id=\"request-WEB:c6781972-4ac0-4b4d-b076-bbdedfc95bd9-7\" dir=\"auto\" class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:--spacing(4)] @w-sm\/main:[--thread-content-margin:--spacing(6)] @w-lg\/main:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-1\" data-message-model-slug=\"gpt-5-2\" dir=\"auto\" data-message-id=\"c8216110-3feb-498a-b7b1-9c2f8a286dbf\" data-message-author-role=\"assistant\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word light markdown-new-styling\"\u003e\n\u003cp data-start=\"0\" data-end=\"268\"\u003eIn the second part of Volume 2, Shams moves through rage, boredom, prayer, and flashes of dry humor. Ramadan brings hunger; politics brings noise. The office air grows heavy with gossip. Religious language slips in not as a sermon, but as habit, routine, even sarcasm.\u003c\/p\u003e\n\u003cp data-start=\"270\" data-end=\"516\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eAs politics and violence close in, he becomes watchful and quick to anger. The traffic at Tehzeeb-ul-Ikhlaq Chowk turns into a daily spectacle, a sign of what he calls the city’s “mass psychosis,” where private desires crash into public behavior.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e","brand":"Pioneer Works","offers":[{"title":"Default Title","offer_id":41391886925882,"sku":null,"price":14.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0141\/3690\/1690\/files\/Screenshot2026-05-04at4.02.12PM.png?v=1778704534"},{"product_id":"karachi-after-midnight-volume-2-part-3","title":"Karachi, After Midnight Volume 2 Part 3","description":"\u003cp\u003e\u003cstrong\u003eA gay man’s online diary from Pakistan’s dial-up era.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKarachi, After Midnight: VOLUME 2—PART III compiles Shams’s entries from September to December 2004.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe year closes heavier. Illness, funerals, fatigue, and depression settle in. At one point, Shams stops blogging for weeks. The tone grows more fragile. Desire remains, but it carries greater risk. In one entry, he realizes he is parked in a red-light area, staring at men. When a man opens his car door and sits beside him, panic sets in. He imagines being recognized. He imagines his family finding out. The night shifts quickly from possibility to danger.\u003c\/p\u003e\n\u003cp\u003eYet beauty still interrupts him: a stranger on the street, a room perfectly arranged, a spontaneous “good job” to Allah for making men beautiful. 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