{"title":"October Newsletter Picks","description":"\u003cp class=\"mcePastedContent\" data-pm-slice=\"1 1 []\"\u003e\u003cspan\u003eEveryone’s been asking if we’ve seen \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eYou Can See Everything. \u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003eWe haven’t. And also, you can’t. No one can. Some of us are better this way.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"mcePastedContent\"\u003e \u003c\/p\u003e\n\u003cp class=\"mcePastedContent\"\u003e\u003cspan\u003eMost of what we’ve stocked lately is about people who’ve fought to be seen at all: \u003c\/span\u003e\u003ca href=\"https:\/\/store.pioneerworks.org\/collections\/archivo-trans\" tabindex=\"-1\" target=\"_blank\"\u003e\u003cspan\u003etrans women in Argentina who kept their own archive\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e, \u003c\/span\u003e\u003ca href=\"https:\/\/store.pioneerworks.org\/collections\/all-our-books\/products\/the-disappearers-by-marlon-james-signed\" tabindex=\"-1\"\u003e\u003cspan\u003eeight men in Jamaica rehearsing in secret\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e, \u003c\/span\u003e\u003ca href=\"https:\/\/store.pioneerworks.org\/collections\/all-our-books\/products\/double-serpent-by-sam-max\" tabindex=\"-1\"\u003e\u003cspan\u003ea play about Fake Daddies and real daddies\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e, and \u003c\/span\u003e\u003ca href=\"https:\/\/store.pioneerworks.org\/collections\/all-our-books\/products\/becoming-of-flesh-by-ash-allen-and-robert-flynt\" tabindex=\"-1\"\u003e\u003cspan\u003eerotic cyanotypes\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e. The \u003c\/span\u003e\u003ca href=\"https:\/\/store.pioneerworks.org\/collections\/all-our-books\/products\/afm-issue-3\" tabindex=\"-1\"\u003e\u003cspan\u003enew AFM\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e is about what goes on inside. And then there’s a writer who decides how a famous actress is seen. Which reminds us, Halloween is Saturday. In Book World, it’s the one night a year you can dress up as someone else and nobody can call it autofiction.\u003c\/span\u003e\u003c\/p\u003e","products":[{"product_id":"club-med-dispatches-from-the-adderall-epidemic","title":"Club Med: Dispatches From The Adderall Epidemic","description":"\u003cdiv class=\"productDescription\"\u003e\n\u003cp\u003eAmerica runs on Adderall. From Silicon Valley to Wall Street, through the Pentagon and the White House, in ad agencies and magazines, many of our most powerful minds are flying on prescription-grade amphetamine. What are the cultural side effects of this incredibly upbeat epidemic? We asked 11 of our favorite writers to reflect on this question from a variety of discrete angles, creating the most detailed portrait yet of the Adderall generation. Edited by Léon Dische Becker.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAll orders will be shipped starting December 2026.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Pioneer Works","offers":[{"title":"Default Title","offer_id":41662064885818,"sku":null,"price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0141\/3690\/1690\/files\/ClubMedCoverDigital_260818-DK_2.png?v=1791474950"},{"product_id":"afm-issue-3","title":"AFM Issue 3","description":"\u003cp class=\"mb-[0px] text-[18px] lg:text-[24px] font-feeld-otto font-normal leading-[151.25%]\"\u003eIssue 3: Rooms with a View, is about interiors and interiorities: the spaces, shelters, and structures (literal or otherwise) that hold our days, lives, thoughts, and moods. Inside, you’ll find essays by philosophers, conversations between authors and provocateurs, fiction, photography, and poetry that pull back the covers, rearrange the furniture, and set the whole house on fire with their ideas, arguments, and stories. \u003c\/p\u003e\n\u003cp class=\"mb-[0px] text-[18px] lg:text-[24px] font-feeld-otto font-normal leading-[151.25%]\"\u003e \u003c\/p\u003e\n\u003cp class=\"mb-[0px] text-[18px] lg:text-[24px] font-feeld-otto font-normal leading-[151.25%]\"\u003e\u003cstrong class=\"inline font-bold\"\u003eCOVERS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"mb-[0px] text-[18px] lg:text-[24px] font-feeld-otto font-normal leading-[151.25%]\"\u003e\u003cspan\u003eAmia Srinivasan photographed by Kobe Wagstaff\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"mb-[0px] text-[18px] lg:text-[24px] font-feeld-otto font-normal leading-[151.25%]\"\u003e\u003cspan\u003eMarf Summers photographed by Kees de Klein\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"mb-[0px] text-[18px] lg:text-[24px] font-feeld-otto font-normal leading-[151.25%]\"\u003e\u003cspan\u003eJames Ivory photographed by Seth David Rubin\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"mb-[0px] text-[18px] lg:text-[24px] font-feeld-otto font-normal leading-[151.25%]\"\u003e\u003cspan\u003ePainting by Nicole Eisenman, \u003c\/span\u003e\u003cem class=\"inline\"\u003eIs it So\u003c\/em\u003e\u003cspan\u003e\u003cem class=\"inline\"\u003e,\u003c\/em\u003e\u003c\/span\u003e\u003cspan\u003e 2014\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"mb-[0px] text-[18px] lg:text-[24px] font-feeld-otto font-normal leading-[151.25%]\"\u003e\u003cstrong class=\"inline font-bold\"\u003eTABLE OF CONTENTS \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"mb-[0px] text-[18px] lg:text-[24px] font-feeld-otto font-normal leading-[151.25%]\"\u003eMaria Dimitrova and Haley Mlotek, \u003cem class=\"inline\"\u003eEditor’s Letter\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"mb-[0px] text-[18px] lg:text-[24px] font-feeld-otto font-normal leading-[151.25%]\"\u003e\u003cstrong class=\"inline font-bold\"\u003eINTERVIEWS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"mb-[0px] text-[18px] lg:text-[24px] font-feeld-otto font-normal leading-[151.25%]\"\u003e\u003cspan\u003eSheila Heti in conversation with Siri Hustvedt\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"mb-[0px] text-[18px] lg:text-[24px] font-feeld-otto font-normal leading-[151.25%]\"\u003e\u003cspan\u003eTracy Rosenthal in conversation with Hasan Piker,\u003c\/span\u003e\u003cspan\u003e\u003cem class=\"inline\"\u003e \u003c\/em\u003e\u003c\/span\u003e\u003cem class=\"inline\"\u003eStill Buffering . . .\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"mb-[0px] text-[18px] lg:text-[24px] font-feeld-otto font-normal leading-[151.25%]\"\u003e\u003cstrong class=\"inline font-bold\"\u003eESSAYS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"mb-[0px] text-[18px] lg:text-[24px] font-feeld-otto font-normal leading-[151.25%]\"\u003e\u003cspan\u003eSarah Nicole Prickett, \u003c\/span\u003e\u003cem class=\"inline\"\u003eShe Wants to Belong in Earth\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"mb-[0px] text-[18px] lg:text-[24px] font-feeld-otto font-normal leading-[151.25%]\"\u003e\u003cspan\u003eJo Livingstone, \u003c\/span\u003e\u003cem class=\"inline\"\u003eContemptus Mundi\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"mb-[0px] text-[18px] lg:text-[24px] font-feeld-otto font-normal leading-[151.25%]\"\u003e\u003cspan\u003eJames Ivory, \u003c\/span\u003e\u003cem class=\"inline\"\u003eFaking Saint Ursula\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"mb-[0px] text-[18px] lg:text-[24px] font-feeld-otto font-normal leading-[151.25%]\"\u003e\u003cspan\u003eAmia Srinivasan, Home, \u003c\/span\u003e\u003cspan\u003e\u003cem class=\"inline\"\u003eSick\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"mb-[0px] text-[18px] lg:text-[24px] font-feeld-otto font-normal leading-[151.25%]\"\u003e\u003cspan\u003eNell Whittaker, \u003c\/span\u003e\u003cspan\u003e\u003cem class=\"inline\"\u003eA Bud in a Rose\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"mb-[0px] text-[18px] lg:text-[24px] font-feeld-otto font-normal leading-[151.25%]\"\u003e\u003cstrong class=\"inline font-bold\"\u003eFEATURES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"mb-[0px] text-[18px] lg:text-[24px] font-feeld-otto font-normal leading-[151.25%]\"\u003e\u003cspan\u003eTyler Patton, \u003c\/span\u003e\u003cem class=\"inline\"\u003eTouch Points\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"mb-[0px] text-[18px] lg:text-[24px] font-feeld-otto font-normal leading-[151.25%]\"\u003e\u003cspan\u003eEmily Gulla, Marf Summers: \u003c\/span\u003e\u003cspan\u003e\u003cem class=\"inline\"\u003eRock, Paper, Scissors\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"mb-[0px] text-[18px] lg:text-[24px] font-feeld-otto font-normal leading-[151.25%]\"\u003e\u003cspan\u003eThe World of Interiors,\u003c\/span\u003e\u003cem class=\"inline\"\u003e Bed Fellows\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"mb-[0px] text-[18px] lg:text-[24px] font-feeld-otto font-normal leading-[151.25%]\"\u003e\u003cspan\u003eZack Graham, Hallie Lieberman, Jack Parlett, Anna Fitzpatrick, and Alexis Okeowo, \u003c\/span\u003e\u003cem class=\"inline\"\u003eOne Dark Room\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"mb-[0px] text-[18px] lg:text-[24px] font-feeld-otto font-normal leading-[151.25%]\"\u003e\u003cspan\u003eBrian Rideout with Jess Carroll and Odd Matter Studios, \u003c\/span\u003e\u003cem class=\"inline\"\u003eWork from Home, Home from Work\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"mb-[0px] text-[18px] lg:text-[24px] font-feeld-otto font-normal leading-[151.25%]\"\u003e \u003c\/p\u003e\n\u003cp class=\"mb-[0px] text-[18px] lg:text-[24px] font-feeld-otto font-normal leading-[151.25%]\"\u003e\u003cstrong class=\"inline font-bold\"\u003eFICTION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"mb-[0px] text-[18px] lg:text-[24px] font-feeld-otto font-normal leading-[151.25%]\"\u003e\u003cspan\u003eClaire-Louise Bennett,\u003c\/span\u003e\u003cspan\u003e\u003cem class=\"inline\"\u003e \u003c\/em\u003e\u003c\/span\u003e\u003cem class=\"inline\"\u003eSize-wise\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"mb-[0px] text-[18px] lg:text-[24px] font-feeld-otto font-normal leading-[151.25%]\"\u003e\u003cspan\u003eDavid O’Neill, \u003c\/span\u003e\u003cem class=\"inline\"\u003eThis is no dream. This is really happening\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"mb-[0px] text-[18px] lg:text-[24px] font-feeld-otto font-normal leading-[151.25%]\"\u003e\u003cspan\u003eLisa Schober, \u003c\/span\u003e\u003cem class=\"inline\"\u003eCome with Me\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"mb-[0px] text-[18px] lg:text-[24px] font-feeld-otto font-normal leading-[151.25%]\"\u003e\u003cspan\u003eNatasha Stallard, \u003c\/span\u003e\u003cem class=\"inline\"\u003eThe Broker\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"mb-[0px] text-[18px] lg:text-[24px] font-feeld-otto font-normal leading-[151.25%]\"\u003e\u003cspan\u003eGemma Sieff, \u003c\/span\u003e\u003cem class=\"inline\"\u003eBlank Tile\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"mb-[0px] text-[18px] lg:text-[24px] font-feeld-otto font-normal leading-[151.25%]\"\u003e\u003cstrong class=\"inline font-bold\"\u003ePOETRY\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"mb-[0px] text-[18px] lg:text-[24px] font-feeld-otto font-normal leading-[151.25%]\"\u003e\u003cspan\u003eTom Sleigh, \u003c\/span\u003e\u003cem class=\"inline\"\u003eForsaken, North Dakota, Nowhere, Idaho\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"mb-[0px] text-[18px] lg:text-[24px] font-feeld-otto font-normal leading-[151.25%]\"\u003e\u003cspan\u003eKatie Ford, \u003c\/span\u003e\u003cem class=\"inline\"\u003eOnce\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"mb-[0px] text-[18px] lg:text-[24px] font-feeld-otto font-normal leading-[151.25%]\"\u003e\u003cspan\u003eJoe Dunthorne, \u003c\/span\u003e\u003cem class=\"inline\"\u003eThe moon insists on accompanying me home\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"mb-[0px] text-[18px] lg:text-[24px] font-feeld-otto font-normal leading-[151.25%]\"\u003e\u003cspan\u003eSandra Lim, Two Poems\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"mb-[0px] text-[18px] lg:text-[24px] font-feeld-otto font-normal leading-[151.25%]\"\u003e\u003cspan\u003eKatie Peterson, Two Poems\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"mb-[0px] text-[18px] lg:text-[24px] font-feeld-otto font-normal leading-[151.25%]\"\u003e\u003cstrong class=\"inline font-bold\"\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"mb-[0px] text-[18px] lg:text-[24px] font-feeld-otto font-normal leading-[151.25%]\"\u003e\u003cstrong class=\"inline font-bold\"\u003eCOLUMNS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"mb-[0px] text-[18px] lg:text-[24px] font-feeld-otto font-normal leading-[151.25%]\"\u003e\u003cspan\u003eAna Kirova, \u003c\/span\u003e\u003cem class=\"inline\"\u003eAlmost Home\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"mb-[0px] text-[18px] lg:text-[24px] font-feeld-otto font-normal leading-[151.25%]\"\u003e\u003cspan\u003eKay Gabriel, \u003c\/span\u003e\u003cem class=\"inline\"\u003eThin Walls\u003c\/em\u003e\u003c\/p\u003e","brand":"Pioneer Works","offers":[{"title":"Default Title","offer_id":41710712815674,"sku":null,"price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0141\/3690\/1690\/files\/IMG-7472.jpg?v=1790721760"},{"product_id":"double-serpent-by-sam-max","title":"Double Serpent by Sam Max","description":"\u003cp\u003eIn a penthouse in Manhattan, Connor plays dead for his wealthy older boyfriend Felix. Elsewhere, in a dark, wet basement in 1999, he plays Double Serpent with his invisible friend while he waits for Fake Dad to be done with his business upstairs.\u003c\/p\u003e\n\u003cp\u003eUsing a brilliant triple-helix structure, Sam Max’s playscript threads fantasy together with Connor’s past and present, creating a thriller in which there are Fake Dads and real daddies, surgery and blood play, childhood scarring and adulthood dissociation. In\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDouble Serpent\u003c\/em\u003e, sex and intimacy both redeem and reinflict.\u003c\/p\u003e\n\u003cp\u003eAn interview between Sam Max and Derek McCormack accompanies the playscript.\u003c\/p\u003e","brand":"Pioneer Works","offers":[{"title":"Default Title","offer_id":41725865787450,"sku":null,"price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0141\/3690\/1690\/files\/1771538293-900.jpg?v=1791295356"},{"product_id":"archivo-de-la-memoria-trans","title":"Archivo de la Memoria Trans","description":"\u003cp\u003e\u003cem\u003eArchivo de la Memoria Trans\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a family reunion. It arises from the need to hug each other again, to look at each other again, to meet again after more than 30 years with the companions we thought were dead, with whom we distanced ourselves due to differences or exile; and mainly with the memories of those who are no longer here. From our past, marked by exclusion and violence, many things were left pending in the urgency to exist. Photographs, stories, diaries, magazines and objects give an account of our activism before activism, and of why today there are less than 100 of us over 55 years old.\u003c\/p\u003e\n\u003cp\u003eThe project was started by Claudia Pía Baudracco and María Belén Correa, both trans women activists and founders in 1993 of ATA (Argentine Transvestite Association), who had imagined having a space where they could gather their surviving companions and their memories. Pía died in 2012 - months before the Gender Identity Law was passed - and María Belén founded the Archive from exile. In 2014, with the help of photographer Cecilia Estalles, she began a work of collecting and digitally preserving the documentation for its conservation and protection. Currently, the Archive contains a collection of more than thirty thousand documents; The material is recorded from the beginning of the 20th century to the end of the 90s.\u003c\/p\u003e\n\u003cp\u003eCurrently, the project members are: María Belén Correa, Cecilia Estalles, Carolina Figueredo, Teté Vega, Luis Juárez, Carolina Nastri, Sonia Hernández, Marina Cisneros, Katiana Villagra, Iris Kaufman, Luli Leiras, Marcela Navarro, Mychel Aguilera, Lina Etchesuri, Sofía Naara, Alejandro Correa and Muriel Bruschi. -Publisher (via Google Translate)\u003c\/p\u003e","brand":"Pioneer Works","offers":[{"title":"Default Title","offer_id":41729289814074,"sku":null,"price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0141\/3690\/1690\/files\/Screenshot2025-02-05at10.26.15AM.png?v=1791405717"},{"product_id":"belen","title":"Belèn","description":"\u003cp\u003eBelén, María Belén is a photographic book that, through archival photographs, documents and autobiographical texts, tells the story of María Belén Correa, a prominent transgender rights activist in Argentina and Latin America. Her personal story reflects the history of the LGBTQIA+ community in Latin America and the struggles it faced in the 1980s and 1990s.\u003c\/p\u003e\n\u003cp\u003eHer journey is one of collective struggle for the recognition of trans identities and expressions. Throughout her life, she has founded organisations and community groups, secured legislation, improved quality of life and created support networks against the transphobic contexts that still persist today.\u003c\/p\u003e\n\u003cp\u003eIn 2012, María Belén founded the Trans Memory Archive to collect and preserve the life stories of the Argentine trans community, becoming a fundamental reference point and collective memory of trans identities.\u003c\/p\u003e\n\u003cp\u003eBelén, María Belén is the winner of the Andy Rocchelli Grant 2025, an international award promoted by CESURA in memory of its co-founder Andy Rocchelli, who was killed in a mortar attack in Andreevka, Ukraine, in 2014.\u003c\/p\u003e\n\u003cp\u003eThis book is a co-publication between Cesura and the Archivo de la Memoria Trans Argentina, which recognises its political and historical value, so that Belén’s story can also be accessible in Argentina. All copies are hand-bound; therefore, inserts may vary.\u003c\/p\u003e","brand":"Pioneer Works","offers":[{"title":"Default Title","offer_id":41729298923578,"sku":null,"price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0141\/3690\/1690\/files\/Belen-Maria-Belen_001.jpg?v=1791405972"},{"product_id":"carne-de-canon","title":"Carne de Cañon","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan dir=\"auto\"\u003e“Cannon Fodder is a stubborn book, as stubborn as the struggle waged by the Trans Memory Archive and as stubborn as those who, even in contexts of grave regression, tell their stories here. Without this tenacity that seeks to bring out of invisibility the many forms of violence that cisheteropatriarchy inflicted, and continues to inflict, on trans and travesti people, this world would be much worse. The daily work of the Archive, indispensable in such adverse contexts and reflected in this book, serves to record not only the horrors, but also the struggles and the resistance. Because, as the disappeared poet Paco Urondo said, ‘memory will burn until everything is as we dreamed it would be,’ and, as Taty Almeida, a Mother of Plaza de Mayo, added, ‘it will also burn until everything is as we fought for it.’” \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Pioneer Works","offers":[{"title":"Default Title","offer_id":41729301577786,"sku":null,"price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0141\/3690\/1690\/files\/Screenshot2026-10-26at1.45.32PM.png?v=1793036851"},{"product_id":"fanzine-fondo-documental-tete","title":"Fanzine Fondo Documental TETE","description":"\u003cp\u003eThis fanzine focuses on the documentary collection of Ornella Olivia Vega, known as Teté. A documentary collection is the body of photographs, writings, letters, magazines, and other documents produced and gathered by an individual, collective, or institution. Yet, it is not merely an accumulation of papers or mementos: when this collection is organized, described, cared for, and preserved, it begins to take on meaning as an archive—as a repository. 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Sirenas del Caribe thus gains coherence through these practices: it becomes a mode of thought that engages in dialogue with Caribbean Afro-Indigenous liberation theologies through politically “incorrect” figures. These figures are capable of carving out space for a proud, irreverent, and unapologetic subjectivity that refuses to be contained within a single category. 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Some of the covered bands include; The Smiths, The Stooges, The Cure, Al Green, The Beatles, The Delfonics, The Association, Anita Ward, John Holt, Brenton Wood, Blondie, James \u0026amp; Bobby Purify and many many more.\u003c\/span\u003e\u003c\/p\u003e","brand":"Pioneer Works","offers":[{"title":"Default Title","offer_id":41757649109050,"sku":null,"price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0141\/3690\/1690\/files\/Removebackgroundproject-October15_2026at12.47.50.png?v=1792083006"},{"product_id":"algum-resentimiento-desconocido-al-odio-cassette","title":"Ardo + Grump + Ce Tochtli + Edson - 12 08 26 - Cassette","description":"\u003cdiv class=\"page product_detail\" data-bc-hook=\"product-container\"\u003e\n\u003cdiv class=\"detail\"\u003e\n\u003cdiv class=\"product-description body-text\"\u003e\n\u003cp\u003eMusica Organica Grabada en Los Angeles\u003c\/p\u003e\n\u003cp\u003eArdo - Guitar\u003cbr\u003eGrump - Flute, Percussion\u003cbr\u003eCe Tochtli - Vocal, Percussion\u003cbr\u003eEdson - Vocal, Flute\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Pioneer Works","offers":[{"title":"Default Title","offer_id":41757657989178,"sku":null,"price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0141\/3690\/1690\/files\/Removebackgroundproject-October15_2026at12.47.50_1.png?v=1792083205"},{"product_id":"8ulentina-cassette","title":"8ulentinan Nana Xoxo, \u0026 Rohana: Live at Sillage","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003e8ULENTINA, Nana XOXO and Rohana perform together as an experimental improvisational ensemble, combining their individual sonic practices. 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