{"title":"Typographics","description":"\u003cp\u003enote for daniel, son, aviv:\u003c\/p\u003e\n\u003cp\u003ethis code applies to everything you're bringing \u003cem\u003e\u003cstrong\u003eEXCEPT\u003c\/strong\u003e\u003c\/em\u003e Endless Garment, Broadcast 03, If You Can Kill It I Can Cook It, and the Groundworks bundle (the Groundworks titles are individually discounted, but the bundle itself is inherently a discount)\u003c\/p\u003e","products":[{"product_id":"charas-the-improbable-dome-builders","title":"CHARAS: The Improbable Dome Builders by Syeus Mottel","description":"\u003cp\u003ePioneer Works Press, in partnership with The Song Cave, is pleased to present the release of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eCHARAS: The Improbable Dome Builders\u003c\/em\u003e, by Syeus Mottel (2017), a fascinating account of six ex-gang members who broke ground to construct a geodesic dome on a vacant lot in the shadow of the Manhattan Bridge after a 1970 meeting with the celebrated and revolutionary architect R. Buckminster Fuller, also known as Bucky.\u003c\/p\u003e\n\u003cp\u003eOriginally published in 1973, this republication speaks to the issues at the heart of the CHARAS project as gentrification seems to multiply faster than communities can work to preserve themselves against it. The book acts as a record to highlight ways people have united to activate empty spaces before gentrification. As a group, CHARAS was interested in physically altering the housing conditions in their immediate neighborhood, the Lower East Side. Influenced by Bucky’s teachings, the young men of CHARAS began a period of devoted study to solid geometry, spherical trigonometry, and the principles of dome building. 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Simultaneously a hopeful prayer for change and direct warning to the reader, Rahma makes masterful work of the haiku form to build a very possible future world dominated by corporations, an earth depleted of natural resources, and humans turned into zombies, glued to their screens. The future that awaits us is not the one we’ve hoped for or what we were promised, but a terrible culmination of what we’ve done to ourselves. Elegant but caustically humorous, this prophetic vision can be returned to again and again, because even in the darkness, Rahma remains hopeful that we can still keep the promises we made in the past. Paired with Jean-Marc Côté’s nineteenth-century illustrations of an imagined year 2000, \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eWe Were Promised Flying Cars\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e is not just for poetry and science fiction fans, but anyone interested in what tomorrow might look like. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eKareem Rahma\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003eis an Egyptian-American poet and entrepreneur living in New York City. He is the founder of Nameless Network and The Museum of Pizza. Before becoming a full-time artist and entrepreneur, he was a Growth Editor at \u003cem\u003eThe New York Times\u003c\/em\u003e and the Associate Director of Global Marketing at VICE. Kareem is an alum of NEW INC., “the world’s first museum led incubator program” created by The New Museum. He is a recipient of the 2019 Above The Fold Awards from The University of Minnesota’s School of Journalism and in 2018 was named one of the most impactful Egyptians in the world from CairoScene.\u003c\/span\u003e\u003c\/p\u003e","brand":"Pioneer Works Press","offers":[{"title":"Default Title","offer_id":30963029278778,"sku":"PRO-FLY-CAR","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0141\/3690\/1690\/products\/FLYING_CARS_DIGITAL_COVER_FINAL-768x1055.png?v=1687980474"},{"product_id":"simultaneous-soloists","title":"Simultaneous Soloists by Anthony McCall \u0026 David Grubbs","description":"\u003cp\u003e\u003ci\u003e\u003cspan\u003eSimultaneous Soloists\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e is an artist’s book emerging from the exhibition \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eAnthony McCall: Solid Light Works\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e and its accompanying performance series \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eFour Simultaneous Soloists\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, organized by David Grubbs. It documents these ephemeral events through multiple means: an extensive conversation between McCall and Grubbs detailing a decade of working together, interviews with sixteen participating musicians, writings by art historians Branden W. Joseph and Swagato Chakravorty, and visual materials ranging from McCall’s drawings and archival materials to photographs of the exhibition including images sourced from social media. It is unique among books about visual art, sound art, and experimental music in describing a conceptually linked set of performances within an exhibition through so extensive an oral history. Interview subjects include Susan Alcorn, MV Carbon, Maria Chavez, Che Chen, Jules Gimbrone, David Grubbs, Sarah Hennies, Eli Keszler, Okkyung Lee, Miya Masaoka, Christopher McIntyre, Tomeka Reid, Ben Vida, Yoshi Wada, Nate Wooley, and C. 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He has also been represented in historical surveys such as \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eThe Expanded Screen: Actions and Installations of the Sixties and Seventies\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e (mumok, Vienna, 2003) and \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eDreamlands: Immersive Cinema and Art, 1905-2016\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e (Whitney Museum, New York, 2016).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDavid Grubbs\u003c\/b\u003e\u003cspan\u003e is Professor of Music at Brooklyn College and The Graduate Center, CUNY. He has released fourteen solo albums and is the author of \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eRecords Ruin the Landscape: John Cage, the Sixties, and Sound Recording \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e(2014);\u003c\/span\u003e\u003ci\u003e\u003cspan\u003e Now that the audience is assembled \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e(2018); and \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eThe Voice in the Headphones\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e (2020), all published by Duke University Press. \u003c\/span\u003e\u003c\/p\u003e","brand":"Pioneer Works Press","offers":[{"title":"Default Title","offer_id":30963052871738,"sku":"SIM-SOLO-CALL","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0141\/3690\/1690\/products\/SS_COVER_08.02.19-768x939-2.jpg?v=1669842769"},{"product_id":"blackburn-quaestiones-perversas","title":"Quaestiones Perversas by Beatriz E. 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Balanta and Mary Walling Blackburn, \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eQuaestiones Perversas\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e gathers together unruly record examinations (\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eBeautiful Economy; The Reproductive; F|Slash|F\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e), a traumatizing listening lab (\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eDoggy… Doggy\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e), and a physical fitness test that maims more than it measures. The answer keys are an intervention\/irruption of poesis in the field of systematicity or the lust for order: the position of the father and the controlling language of the state. The book undoes the benign voice of the test, awakens the reader to the history of violence embedded in the form, and activates it as a site for aesthetic expression.\u003c\/span\u003e\u003c\/p\u003e","brand":"Pioneer Works Press","offers":[{"title":"Default Title","offer_id":30963079741498,"sku":"9781945711039","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0141\/3690\/1690\/products\/blackburn.png?v=1687979614"},{"product_id":"pioneer-works-journal-intercourse-5","title":"Intercourse 5","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublished once a year, \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003ePioneer Works Journal\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e is our magazine with readings that encompass art, music, science, and alternative education. In \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003ePioneer Works Journal\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e, we extend the conversation happening at Pioneer Works into a supplement for all your inter-disciplinary needs. We hope this archive of evolving discussion becomes an indispensable document in your search for knowledge without advertisements. \u003c\/span\u003e\u003c\/p\u003e","brand":"Pioneer Works Press","offers":[{"title":"Default Title","offer_id":30963087933498,"sku":"INTERCOURSE-5","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0141\/3690\/1690\/products\/journal_cover_web-768x961.jpg?v=1687979193"},{"product_id":"intercourse-4","title":"Intercourse 4","description":"\u003cp data-mce-fragment=\"1\"\u003eBetween these not-too-glossy pages you’ll find our distinct combination of atypical prose, poetry, conversation and artwork. Critic\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDaniel Mendelsohn \u003c\/strong\u003eand artist\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDavid Salle\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ediscuss cultivating taste, the lead singers of the \u003cstrong data-mce-fragment=\"1\"\u003eButthole Surfers\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThe Flaming Lips\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003edebate selling out, and marine biologist\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDavid Gruber\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand artist\/historian\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eKatherine McLeod\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eexplore the legacy of\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eWilliam Beebe\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand the future of deep sea exploration.\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDan Graham\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ereflects on the Zodiac,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMatthew Niederhauser\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eshares photos of ersatz architecture in China,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eGenesis P-Orridge\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003elets us read h\/er journals and \u003cstrong data-mce-fragment=\"1\"\u003eGreg Kloehn\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ebuilds and distributes single-occupancy houses to homeless friends.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTom McCarthy\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eshares thoughts on his new novel that’s almost about Staten Island and\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eIain Boal \u003c\/strong\u003etraces the scourge of automobilism. And\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDevin Troy Strother\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003esexes that rectangle. \u003c\/p\u003e","brand":"Pioneer Works Press","offers":[{"title":"Default Title","offer_id":30963088162874,"sku":"INTERCOURSE-4","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0141\/3690\/1690\/products\/201001_PW_035.jpg?v=1687979012"},{"product_id":"intercourse-3","title":"Intercourse 3","description":"\u003cp data-mce-fragment=\"1\"\u003eThis thermal wearing, company-keeping, soul-warming winter edition is like philosophy without the jargon, Internet without the boredom, solipsism without the self, handcuffs without the cops. Ben Lerner discusses Wallace Stevens, his newest book 10:04, and visions of the future. Astrophysicist Janna Levin and science writer James Gleick rap about time—is it a carpet or a hill and what is it like to walk through bread? Hip Hop pioneer Fab 5 Freddy remembers when he first discovered kung-fu films. Poet Andrew Durbin deconstructs the “Bro.” And Adam Green talks to Weyes Blood about the scourge of likeability and normcore.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAll that, plus a roundtable with Dorothea Rockburne, Ron Gorchov, and Trueman MacHenry a retrospective portfolio of the late, great, Dan Asher; improvisational music and the Civil Rights Movement; the way we bury the homeless; Paul Laffoley watching Andy Warhol’s TV; and the first video sharing collective, Radical Software. And more. \u003c\/p\u003e","brand":"Pioneer Works Press","offers":[{"title":"Default Title","offer_id":30963091603514,"sku":"INTERCOURSE-3","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0141\/3690\/1690\/products\/201001_PW_029_1.jpg?v=1687978993"},{"product_id":"intercourse-2","title":"Intercourse 2","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eIssue 2 features essays on a hypothetical footbridge between Brooklyn and Governors Island; a high school project called Foxfire that became the inadvertent guidebook for the 70s back-to-the-land movement, and a discussion with Edward Frenkel about the true nature of mathematics. Performa’s RoseLee Goldberg and Ubuweb’s Kenny Goldsmith discuss the avant-garde and Ariel Pink talks to Animal Collective about horror and childhood. Other features include conversations with Carol Bove and Trevor Paglen, psychedelic celluloid, Ana Mendieta‘s lost earthworks, and the creative power of humiliation. There’s even new fiction from Jesse Ball. We hope this idea archive and record of an evolving discussion becomes an indispensable document in your search for knowledge. \u003c\/span\u003e\u003c\/p\u003e","brand":"Pioneer Works Press","offers":[{"title":"Default Title","offer_id":30963092258874,"sku":"INTERCOURSE-2","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0141\/3690\/1690\/products\/201001_PW_039.jpg?v=1687978974"},{"product_id":"the-present-is-the-form-of-all-life-the-time-capsules-of-ant-farm-and-lst","title":"The Present Is the Form of All Life: The Time Capsules of Ant Farm and LST","description":"\u003cp\u003ePerhaps most well known for the iconic sculpture Cadillac Ranch and performances like Media Burn, the radical architecture and media art group Ant Farm created an abundance of works across disciplines — including video, publications, built environments, and performance. Less known are the group’s “time capsule” works made throughout their career, which rejected the idea of the time capsule as a reliable means of cultural preservation.\u003c\/p\u003e\n\u003cp\u003ePublished as a supplement to the exhibition\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e\u003ca href=\"http:\/\/pioneerworks.org\/exhibitions\/the-present-is-the-form-of-all-life-the-time-capsules-of-ant-farm-and-lst\/\"\u003eThe Present Is the Form of All Life: The Time Capsules of Ant Farm and LST\u003c\/a\u003e\u003c\/em\u003e, this book features essays, an interview with LST, and many never before published or reproduced images of archival material, tracing the time capsule works of Ant Farm and successor group LST from analog archive to digital database. \u003c\/p\u003e","brand":"Pioneer Works Press","offers":[{"title":"Default Title","offer_id":30963201703994,"sku":"9781945711015","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0141\/3690\/1690\/products\/ant-farm-cover_800w.png?v=1687980276"},{"product_id":"the-present-is-the-form-of-all-life-the-time-capsules-of-ant-farm-and-lst-artist-edition","title":"The Present Is the Form of All Life: The Time Capsules of Ant Farm and LST - Artist Edition","description":"\u003cp data-mce-fragment=\"1\"\u003ePerhaps most well known for the iconic sculpture Cadillac Ranch and performances like Media Burn, the radical architecture and media art group Ant Farm created an abundance of works across disciplines — including video, publications, built environments, and performance. Less known are the group’s “time capsule” works made throughout their career, which rejected the idea of the time capsule as a reliable means of cultural preservation.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePublished as a supplement to the exhibition \u003ca href=\"http:\/\/pioneerworks.org\/exhibitions\/the-present-is-the-form-of-all-life-the-time-capsules-of-ant-farm-and-lst\/\" data-mce-fragment=\"1\" data-mce-href=\"http:\/\/pioneerworks.org\/exhibitions\/the-present-is-the-form-of-all-life-the-time-capsules-of-ant-farm-and-lst\/\"\u003eThe Present Is the Form of All Life: The Time Capsules of Ant Farm and LST\u003c\/a\u003e, this book features essays, an interview with LST, and many never before published or reproduced images of archival material, tracing the time capsule works of Ant Farm and successor group LST from analog archive to digital database.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWithin the cover of this artist edition of The Present Is the Form of All Life: The Time Capsules of Ant Farm \u0026amp; LST, lies the Pioneer Works Time Capsule, a USB drive containing 1,518 images. These images were collected by the HUQQUH device at random, when viewers plugged their smartphone into the device during the exhibition exhibition \u003ca href=\"https:\/\/pioneerworks.org\/exhibitions\/the-present-is-the-form-of-all-life-the-time-capsules-of-ant-farm-and-lst\/\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/pioneerworks.org\/exhibitions\/the-present-is-the-form-of-all-life-the-time-capsules-of-ant-farm-and-lst\/\"\u003eThe Present Is the Form of All Life: The Time Capsules of Ant Farm and LST\u003c\/a\u003e. The time capsule was sealed on October 16, 2016 at Pioneer Works.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAs custodian of this time capsule, you should remove the USB drive from the adjacent circle when the value of the past is greater than the value of the present. \u003c\/p\u003e","brand":"Pioneer Works Press","offers":[{"title":"Default Title","offer_id":30963210944570,"sku":"ANT-FARM-ARTIST","price":100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0141\/3690\/1690\/products\/the-present-is-the-form-of-all-life.png?v=1687980317"},{"product_id":"notes-on-my-dunce-cap","title":"Notes on My Dunce Cap by Jesse Ball","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eA text for teachers who want to reconsider hierarchy in their classrooms and for those curious about education as a context for creativity and collaboration. Drawn from Ball’s experiences teaching at the School of the Art Institute of Chicago, \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eNotes on my Dunce Cap\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e includes advisory material regarding the role of the teacher, the creation of syllabi, and the manner in which groups may evaluate the work of an individual without harm. Alongside these notes that reflect on his teaching practice, sample SAIC syllabi create contexts in which students develop habits that become the basis for a writing practice. Reading lists cover topics such as child protagonists, the dérive, and fairytales, and classroom procedures encourage students to lucid dream, take long walks without cellphones, and participate in the Franz Kafka Fancier Society of Chicago. Ball describes dynamic ways to ask questions, facilitate discussion, organize exhibitions, and incorporate theatrical elements to draw the most out of students and teachers alike. Ball shakes up classroom habits and breathes new life into reading, questioning, teaching, and learning. \u003c\/span\u003e\u003c\/p\u003e","brand":"Pioneer Works Press","offers":[{"title":"Default Title","offer_id":30963230081082,"sku":"9780990593546","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0141\/3690\/1690\/products\/groundworks-notes-on-my-dunce-cap-768x1204.jpg?v=1687979149"},{"product_id":"i-cry-the-desire-to-be-rejected","title":"I Cry: The Desire to Be Rejected by Amy Lawless \u0026 Chris Cheney","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eA collaborative, hybrid composition: part essay, part poem, and part social media collage. The authors cannibalise traditional research methods, for a more personalized, technology based process. While meditating upon Kurt Schwitter’s notion that “the medium is as unimportant as I am myself,” they confront historical traumas through the body of real and virtual environments. Establishing online personas on Myspace, Yelp and Twitter, they explore the real feelings that attach themselves to these expressions of self, the real sense of desire, connection, affirmation and friendship, as well as possibilities of destruction and loss. The relationship to the mother, a candlepin bowling league and an online Korean roleplaying group are the social environs through which the authors are made to grapple with their own sense of isolation and otherness in the digital age, the blind energy of desire, and the strangeness of tears. \u003c\/span\u003e\u003c\/p\u003e","brand":"Pioneer Works Press","offers":[{"title":"Default Title","offer_id":30963234996282,"sku":"9780990593553","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0141\/3690\/1690\/products\/groundworks-i-cry-the-desire-to-be-rejected-768x1204_c4f1a472-e0a4-4b3a-a61e-dfc66930c7d3.jpg?v=1687978943"},{"product_id":"it-was-a-time-that-was-a-time","title":"It was a time that was a time by Shezad Dawood","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIt was a time that was a time\u003c\/em\u003e\u003cspan\u003e features stills from \u003c\/span\u003e\u003ca href=\"https:\/\/pioneerworks.org\/exhibitions\/shezad-dawood-it-was-a-time-that-was-a-time\/\" target=\"_blank\"\u003eShezad Dawood’s new film\u003c\/a\u003e\u003cspan\u003e of the same name (2015, 16:27 mins), commissioned by Pioneer Works and made while Dawood was an artist-in-residence. The film is the result of a free-form, collaborative filmmaking experiment, whereby participants took turns documenting each other living in a speculative community formed in response to a theoretical environmental cataclysm, with devices that might have survived a devastating flood. As the artist explained, in this possible post-apocalyptic community, surviving on the periphery of New York, “rules of society, gender and relationships are given new expression.” Operating on the borders between speculative realism and performance, the piece was primarily filmed on Coney Island in the aquarium that was notoriously flooded during Hurricane Sandy. Participants and collaborators included Brooklyn-based artists, costume designers and choreographers, as well as youth participating in Red Hook Initiative—a nonprofit that organizes empowerment programs for the neighborhood. \u003c\/span\u003e\u003c\/p\u003e","brand":"Pioneer Works Press","offers":[{"title":"Default Title","offer_id":30963416694842,"sku":"IT-WAS-A-TIME","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0141\/3690\/1690\/products\/Screen-Shot-2018-02-13-at-4.46.05-PM-768x1025.png?v=1687979034"},{"product_id":"pat-love-will-find-a-way-home","title":"PAT: Love Will Find A Way Home","description":"\u003cp\u003eA collaboration between visual artist Jacolby Satterwhite and musician Nick Weiss—one-half of Teengirl Fantasy—PAT takes its name from Satterwhite’s mother Patricia, who suffered from schizophrenia and died in 2016. She left behind hundreds of a capella recordings on cassette tapes as well as abstract drawings of home goods, such as wet wipes, sugar cubes, and toothbrushes. Incorporating her recordings into their work, Satterwhite and Weiss remixed and manipulated Patricia’s voice into propulsive, electronic dance tracks featuring a range of other collaborators. \u003cem\u003eLove Will Find A Way Home \u003c\/em\u003ewas created in conjunction with Jacolby Satterwhite’s exhibition, \u003ca href=\"https:\/\/pioneerworks.org\/exhibitions\/jacolby-satterwhite-youre-at-home\/\" target=\"_blank\"\u003e\u003cem\u003eYou’re at home\u003c\/em\u003e\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLove Will Find A Way Home\u003c\/em\u003e contains a deluxe hardcover gatefold LP + book which features 2 vinyl LPs; heavy-duty board gatefold jacket; printed inner LP sleeves; high-res Bandcamp download code; and a 34-page color artist book.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe height=\"300\" width=\"300\" style=\"height: 300px !important; margin: 2em 0;\" src=\"https:\/\/open.spotify.com\/embed\/track\/3Uo8wthstxW0JbWOLTDdcF\" loading=\"lazy\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJacolby Satterwhite\u003c\/strong\u003e was born in 1986 in Columbia, South Carolina. Satterwhite’s work has been presented in numerous exhibitions both in the United States and in Europe, including most recently at Pioneer Works, Fabric Workshop \u0026amp; Museum, Whitechapel Gallery, the Museum of Modern Art, the Minneapolis Institute of Art, the Museum of Contemporary Art, and many more. He was awarded the United States Artist Francie Bishop Good \u0026amp; David Horvitz Fellowship in 2016. His work is included in the collections of the Museum of Contemporary Art Kiasma, Museum of Modern Art, Studio Museum in Harlem, and the Whitney Museum of American Art, among others. In 2019, Satterwhite collaborated with Solange Knowles on her visual album, \u003cem\u003eWhen I Get Home\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNick Weiss\u003c\/strong\u003e began his music career as one-half of Teengirl Fantasy, an ever-evolving electronic music duo established in 2009. Weiss and bandmate Logan Takahashi’s music as Teengirl Fantasy has been described by critics as “dream-beat,” an atmospheric yet driving sound that pulls elements from deep house to shoegaze. Weiss participated in the 2014 Red Bull Music Academy in Tokyo under his new solo production guise Nightfeelings, and has since co-produced albums for artists ranging from SSION’s noise pop to Lafawndah’s ritual club music. For the past three years, Weiss has collaborated with Jacolby Satterwhite on re-imagining his mother Patricia’s a capella songs as electronic odysseys.\u003c\/p\u003e","brand":"Pioneer Works Press","offers":[{"title":"Default Title","offer_id":31024183640122,"sku":"RECORD-JACOLBY","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0141\/3690\/1690\/products\/a3264417838_10.jpg?v=1687979170"},{"product_id":"miss-information-sequence","title":"Sequence by Miss Information","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan class=\"il\" data-mce-fragment=\"1\"\u003eMiss\u003c\/span\u003e \u003cspan class=\"il\" data-mce-fragment=\"1\"\u003eInformation\u003c\/span\u003e (aka Miho Hatori of Cibo Matto, Smokey \u0026amp; Miho, and Gorillaz, amongst others) created this album while in residence at Pioneer Works with a simple concept: “What if \u003cspan class=\"il\" data-mce-fragment=\"1\"\u003einformation\u003c\/span\u003e was a woman?” Hatori positions \u003cspan class=\"il\" data-mce-fragment=\"1\"\u003einformation\u003c\/span\u003e as something akin to the moon, a mysterious natural energy that, in her words, “brings change to the planet.”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe first song she released—appropriately, “Miss Information Theme”—is about the goddess of information ending up in Los Angeles and having plastic surgery. Hatori’s conceptual data flow for \u003cem data-mce-fragment=\"1\"\u003eSequence\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eprogressed from there.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Miho Hatori is a singer \/ musician \/ visual artist, primarily known as the vocalist of the legendary NYC group Cibo Matto. She has done many collaborations with artists such as the Beastie Boys and Gorillaz. She is currently developing her other project, New Optimism, creating music and fashion.\\n\\nMiho is originally from Tokyo, but has been working and living in NYC for too many years.\"}' data-sheets-userformat='{\"2\":705,\"3\":{\"1\":0},\"9\":0,\"10\":1,\"12\":0}' data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMiho Hatori\u003c\/strong\u003e is a singer \/ musician \/ visual artist, primarily known as the vocalist of the legendary NYC group Cibo Matto. She has done many collaborations with artists such as the Beastie Boys and Gorillaz. She is currently developing her other project, New Optimism, creating music and fashion.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMiho is originally from Tokyo, but has been working and living in NYC for too many years. \u003c\/p\u003e","brand":"Pioneer Works Press","offers":[{"title":"Default Title","offer_id":31024191340602,"sku":"RECORD-MISS-INFO","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0141\/3690\/1690\/products\/a2369597951_10.jpg?v=1687979121"},{"product_id":"marijuana-deathsquads-tuff-guy-electronics","title":"Tuff Guy Electronics by Marijuana Deathsquads","description":"\u003cp data-mce-fragment=\"1\"\u003eMarijuana Deathsquads’\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eTuff Guy Electronics\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis the first new music that the Minneapolis centered collective has released since 2013. It simultaneously sounds like a heavily digitized ride on the ≈ highway and a droll stroll through the apocalypse, the kind of music only people with conceptual talent to burn (and an inherent desire to touch that flame) choose to envision. It’s a pop-avant-garde paean to the space between an abstract higher power and the creative open road—full of primal groove and techno subtlety, but beholden to neither.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Marijuana Deathsquads is a Minneapolis-based noise band with an electronic, improvised, experimental sound that that defies listener expectations and easy categorization. Their ear-bending improv\/dance grooves have been steadily blowing eardrums, breaking drum heads and tearing at the seams of conventional music-making since the Deathsquads semi-mysterious inception in 2009. The Deathsquads lineup is a loosely defined and mutating structure, its core consists of long time Marijuaners Ryan Olson, Ben Ivascu and Isaac Gale. These names are constants amidst a blur of collaborators.\"}' data-sheets-userformat='{\"2\":705,\"3\":{\"1\":0},\"9\":0,\"10\":1,\"12\":0}' data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMarijuana Deathsquads\u003c\/strong\u003e is a Minneapolis-based noise band with an electronic, improvised, experimental sound that that defies listener expectations and easy categorization. Their ear-bending improv\/dance grooves have been steadily blowing eardrums, breaking drum heads and tearing at the seams of conventional music-making since the Deathsquads semi-mysterious inception in 2009. The Deathsquads lineup is a loosely defined and mutating structure, its core consists of long time Marijuaners Ryan Olson, Ben Ivascu and Isaac Gale. These names are constants amidst a blur of collaborators. \u003c\/span\u003e\u003c\/p\u003e","brand":"Pioneer Works Press","offers":[{"title":"Default Title","offer_id":31024193044538,"sku":"RECORD-MARIJUANA","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0141\/3690\/1690\/products\/a3772994835_10.jpg?v=1687979096"},{"product_id":"an-orange","title":"An Orange by Ted Dodson","description":"\u003cp\u003e\u003cstrong\u003ePraise for An Orange\u003cbr\u003e\u003c\/strong\u003e\u003cspan\u003e“…\u003c\/span\u003e\u003cspan\u003ePertinent and mobile, [the poems of \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eAn Orange\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e] speak to me right \u003c\/span\u003e\u003cspan\u003enow, recording \u0026amp; rearranging ordinary impossibilities \u0026amp; anxieties, while \u003c\/span\u003e\u003cspan\u003eoperating at a speed beyond preservation (they said that). The works \u003c\/span\u003e\u003cspan\u003ein \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eAn Orange \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003etremble with the certainty trembling forces into view: ‘To \u003c\/span\u003e\u003cspan\u003espeak gently with you \/ makes the whole world again \/ accessible for a \u003c\/span\u003e\u003cspan\u003emoment.'”\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e—Anselm Berrigan \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“I love how Ted renders his documentary vigilance away from the ironclad \u003c\/span\u003e\u003cspan\u003eto arrive at a generous poetry of citizenship. It is in this context, this \u003c\/span\u003e\u003cspan\u003ethinking space, that we are invited to democratically regard everything \u003c\/span\u003e\u003cspan\u003ethat is put before us…\u003c\/span\u003e\u003ci\u003e\u003cspan\u003eAn Orange \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003evalues integrity over clarity, or anything \u003c\/span\u003e\u003cspan\u003eas normative. It supposes that we all know how this nerve movie ends \u003c\/span\u003e\u003cspan\u003eand offers a language that can ‘provide an antidote for any lesser dread.'”  \u003c\/span\u003e\u003cspan\u003e—Stacy Szymaszek\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout the Book\u003cbr\u003e\u003c\/strong\u003e\u003cspan\u003e“It would be too easy to say love vanished from the earth…” begins Ted \u003c\/span\u003e\u003cspan\u003eDodson’s \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eAn Orange\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, his thoughtful, experiential second collection of \u003c\/span\u003e\u003cspan\u003epoems. It’s a provocation to which \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eAn Orange \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003ewholeheartedly responds. \u003c\/span\u003e\u003cspan\u003eDodson’s work reroutes essay, narrative, and confessionalism, detouring f\u003c\/span\u003e\u003cspan\u003erom criticism into bisexual desire and navigating modernity as fluently \u003c\/span\u003e\u003cspan\u003eas it imagines speculative destinations for language. From the graceful \u003c\/span\u003e\u003cspan\u003erealism of the opening travelogues to its final long poem, “The Language  the Sky Speaks,” \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eAn Orange \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003eguides memory and affect into cosmopolitan forms: disalienating, expansive, and tonic.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTed Dodson\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eis the author of \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eAn Orange \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e(Pioneer Works \/ Wonder, 2021), \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eAt the  National Monument \/ Always Today \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e(Pioneer Works, 2016), and \u003c\/span\u003e\u003ci\u003e\u003cspan\u003ePop! in Spring  \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e(Diez, 2013). His writing has been featured in \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eHyperallergic\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eBOMB\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eFence\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eThe  Stinging Fly\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, and \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eThe Brooklyn Rail \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003eamong other publications. He works for \u003cem\u003eBOMB\u003c\/em\u003e,  is an editor-at-large for \u003cem\u003eFuturepoem\u003c\/em\u003e, and is a former editor of \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eThe Poetry Project  Newsletter\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAn Orange \u003c\/em\u003ewas published in collaboration with Wonder. Learn more about\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/wonder-publishing.com\/\" target=\"_blank\"\u003eWonder\u003c\/a\u003e.\u003c\/p\u003e","brand":"Pioneer Works Press","offers":[{"title":"Default Title","offer_id":32231960182842,"sku":"orange","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0141\/3690\/1690\/files\/211113-PW-033-edit2.png?v=1687978361"},{"product_id":"potoprens-the-urban-artists-of-port-au-prince","title":"PÒTOPRENS: The Urban Artists of Port-au-Prince","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePÒTOPRENS: The Urban Artists of Port-au-Prince\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\"\u003e is at once a portrait of Haiti’s capital, a celebration of its arts, and a visionary re-mapping of culture in the world’s first Black republic. \u003cspan data-mce-fragment=\"1\"\u003ePublished to celebrate a landmark 2018 exhibition at Pioneer Works, \u003ca href=\"https:\/\/pioneerworks.org\/exhibitions\/potoprens\"\u003ePÒTOPRENS\u003c\/a\u003e comprises the first major survey of contemporary artists of urban Haiti.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\"\u003ePrinted in both English and Haitian Kreyòl, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\"\u003ePÒTOPRENS\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\"\u003e is a map-like reflection of the urban landscape and a new geography of popular production. The city of Port-au-Prince is a polyphonic metropolis that declares its past via multiple voices; in this volume, the city’s complex present is evoked through artworks, images, testimonies, and essays. These contents are organized around distinct zones of artistic production—urban neighborhoods identified with particular subjects, materials, and forms. Focusing on 14 of these areas’ exemplary artists, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\"\u003ePÒTOPRENS\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\"\u003e mirrors the geography of the city that inspired it.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\"\u003eContextualized by leading writers on Caribbean history and culture, these artists’ stories are situated within Port-au-Prince’s rich heritage of “majority class art.” As cities everywhere grow ever-more critical to our changing global environment, catalyzing cultural, social, political, and economic transitions of all kinds, this book articulates urban Haiti’s unbroken link with its revolutionary past. It also issues an insistent call to relocate that past, and the vital forms of expressive culture its echoes still feed, within the contemporary record.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\"\u003eWith an introduction by Joshua Jelly-Schapiro, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\"\u003ePÒTOPRENS\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\"\u003e includes essays by Edouard Duval-Carrié, Leah Gordon, and Gina Athena Ulysse, and features text and artwork by Katelyne Alexis, Karim Bléus, Myrlande Constant, Dubréus Lhérisson, Ronald Edmond, André Eugène, Richard Fleming, Celeur Jean Hérard, Jean Salomon Horace (Ti Pelin), Frantz Jacques (Guyodo), Michel Lafleur, Evel Romain, Jean Claude Saintilus, and Yves Telemaque.\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003cbr\u003e\u003c\/p\u003e","brand":"Pioneer Works Press","offers":[{"title":"Default Title","offer_id":32249915375674,"sku":"POTOPRENS-UR-ART","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0141\/3690\/1690\/products\/POTOPRENS_Cover_210129.png?v=1669840658"},{"product_id":"subcultural-karate-turtles","title":"Subcultural Karate Turtles by Adam Green","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\"\u003eSubcultural Karate Turtles\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\"\u003e is a satirical graphic novel by artist\/musician Adam Green.  Parodying \u003c\/span\u003ethe popular Ninja Turtles cartoon, Green reimagines the turtles as subcultural artists who must battle the mainstream to determine the future of art. Set in an intergalactic Kabuki theater,  the book is a play inside of a comic book. Against the backdrop of childhood iconography, the psychedelic dialogue functions as a critique of cultural theory. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eAdam Green\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e is an artistic polymath—a songwriter, filmmaker, visual artist, and poet.  A co-founder of The Moldy Peaches and author of ten solo-albums, his songs have been performed by artists as diverse as The Libertines, Carla Bruni, Kelly Willis, Dean \u0026amp; Britta, and Will Oldham. Green’s paintings and sculptures have been the subject of exhibitions in America, Asia and Europe, including a 2016 show at the Fondation Beyeler Museum in Basel, Switzerland.  He wrote and directed the feature film \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eThe Wrong Ferarri\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e (2010), the first feature film shot entirely on an iPhone, and \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eAdam Green's Aladdin \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e(2016) which Buzzfeed.com described as “the trippiest movie ever made.\" In 2019, Green released \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eWar and Paradise\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e, a graphic novel combining his lyrical and visual vocabulary. The satirical war epic is about the clash of humans with machines, the meeting of spirituality with singularity, and the bidirectional relationship between life and the afterlife.   \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eGreen’s 10th and latest solo album, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eEngine of Paradise\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e, is a musical exploration of these same themes. Recorded in Brooklyn, New York, by Loren Humphrey, the album reimagines the baroque orchestral style of his early 2000s era records and features performances by James Richardson (MGMT), Florence Welch (Florence and the Machine) and Jonathan Rado (Foxygen). \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eIn 2020, Green published an epic-poem MDVL: 1,000 Years of Dark Ages with Spheres Projects, a section of which was included in the \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003ePoetry London \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eliterary journal. This was followed by an animated movie version of the poem, narrated by Green, in the style of a medieval illuminated manuscript.    \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e","brand":"Pioneer Works Press","offers":[{"title":"Default Title","offer_id":39446506471482,"sku":"GREEN-TURT-ADAM","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0141\/3690\/1690\/products\/SKT_Cover.png?v=1687979913"},{"product_id":"aura-rosenberg-what-is-psychedelic","title":"What Is Psychedelic by Aura Rosenberg","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\"\u003eWhat Is Psychedelic\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\"\u003e traces New York and Berlin-based artist Aura Rosenberg's (b. 1949) trajectory from early paintings to more recent works in photography, film, sculpture, and installation. Central to Rosenberg's practice are the ways images produce and reproduce notions of spectatorship, gender, family, history, and legacy—that is, the conditions of everyday life. For over five decades, her work has challenged how such vernacular images create seemingly naturalized meanings through which people understand themselves in the world. This book complements Rosenberg's joint exhibitions at the \u003ca href=\"https:\/\/weissman.baruch.cuny.edu\/mishkin-gallery\/upcoming\/\" target=\"_blank\"\u003eMishkin Gallery\u003c\/a\u003e and \u003ca href=\"https:\/\/pioneerworks.org\/exhibitions\/aura-rosenberg-what-is-psychedelic\"\u003ePioneer Works\u003c\/a\u003e, curated by Alaina Claire Feldman. It pairs full-color plates of the artist's work with essays by artists, historians, and curators that offer the first comprehensive overview of Rosenberg's oeuvre. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\"\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhat Is Psychedelic \u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003eis edited by Alaina Claire Feldman featuring \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003etexts by Lena Dunham, Alaina Claire Feldman, Matt Keegan, Claire Koron Elat, Laura López Paniagua, Tim Martin, John Miller, Bob Nickas, Barbara Piwowarska, Lumi Tan, and  Alexandra Tell.\u003c\/span\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e","brand":"Pioneer Works Press","offers":[{"title":"Default Title","offer_id":39822664695866,"sku":"AURA-PSYC","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0141\/3690\/1690\/files\/230315_PW_Book01_view01.png?v=1687978051"},{"product_id":"hailu-mergia-live","title":"Hailu Mergia: Pioneer Works Swing (Live)","description":"\u003cp\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eHailu Mergia: Pioneer Works Swing (Live)\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e beautifully captures the fiery show at Pioneer Works on July 1st, 2016. The concert was recorded by PW staff and mixed by Ted Young with mastering by ATFA’s expert audio extraction collaborator Jessica Thompson. The performance clarifies what many people across the globe already know: in his fifth decade of music-making, Hailu Mergia continues to push the boundaries of his remarkable abilities.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"font-weight: 400;\"\u003eBrian Shimkovitz who runs the label \u003c\/span\u003e\u003ca href=\"https:\/\/awesometapes.com\/\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eAwesome Tapes From Africa\u003c\/span\u003e\u003c\/a\u003e\u003cspan style=\"font-weight: 400;\"\u003e came across Mergia’s music in a cassette shop in Ethiopia and worked with Mergia to reissue his classic recordings from the 70’s, renewing an interest in the Ethiopian pioneer, which led Mergia to perform with his band again. His comeback show was at Baby’s All Right in December 2013, which was highly successful and featured in the New York Times. Prior to this comeback, Hailu had been driving a cab in Washington, DC from the nineties until 2019. His re-emergence in the industry allowed him to perform again. Since then, Mergia and his band have performed all over the world, at prestigious venues such as Radio City Music Hall and the Montreal Jazz Festival, showcasing their unique blend of Ethiopian jazz.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003ci data-stringify-type=\"italic\"\u003eHailu Mergia: Pioneer Works Swing (Live)\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003ewas made in collaboration with Awesome Tapes From Africa\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Pioneer Works","offers":[{"title":"Default Title","offer_id":40037723078714,"sku":"HAILU-LP","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0141\/3690\/1690\/files\/HailuJacket_Digital.png?v=1694018900"},{"product_id":"american-artist-shaper-of-god","title":"Shaper of God by American Artist","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cem\u003eShaper of God \u003c\/em\u003eis a compelling exploration of the life and legacy of Octavia E. Butler, reimagined through the visionary lens of American Artist. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eEdited by Zainab Aliyu, this book features American Artist's solo exhibition at Pioneer Works, bridging Butler’s enduring influence on literature and culture with contemporary artistic practices. American Artist’s multidisciplinary approach delves into three pivotal themes of Butler's oeuvre: the role of Pasadena and Los Angeles, with their distinct academic, scientific, and natural landscapes, in shaping her imaginative  storytelling; the profound impact of her maternal family's migration, evidenced in her writing by \u003c\/span\u003e\u003cspan\u003ethemes of aspiration, labor, and displacement; and her critical engagement with space exploration, interrogating its implications for Black and Indigenous communities.  \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eFeaturing American Artist’s new and existing works—encompassing video, installation, sculpture, and drawing—alongside essays, exhibition documentation, and a rich compilation of diverse media, including sketches, digital communications, and archival materials. Contributions from notable voices like Taylor Renee Aldridge, Lou Cornum, Tananarive Due, Alexis Pauline Gumbs, Ayana A. Jamieson, and Fred Moten further enrich the narrative, expanding on the dialogues initiated by American Artist.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eRichly illustrated, \u003cem\u003eShaper of God \u003c\/em\u003enot only honors Butler’s expansive influence but also provides a critical lens through which to view the themes of migration, place, and cosmic imagination that permeate her work. American Artist’s interpretation invites readers to reconsider history, technology, and identity, making this volume an essential resource for understanding both Butler’s groundbreaking narratives and the contemporary issues they continue to shape.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Pioneer Works","offers":[{"title":"Default Title","offer_id":40764443689018,"sku":"AMERICANARTIST","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0141\/3690\/1690\/files\/Thumbnail.jpg?v=1741012944"},{"product_id":"shanzhai-lyric-endless-garment-shirt","title":"Shanzhai Lyric Endless Garment shirt","description":"\u003cp\u003eNew limited-edition shirt inspired by Shanzhai Lyric's forthcoming publication \u003cem\u003eEndless Garment\u003c\/em\u003e. 100% cotton, and a little bit of found poetry. 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